October 2024

🦇 Painting in the Dark 🦇 - October Edition

“If you can see your path laid out in front of you step by step, you know it’s not your own path. Your own path you make with every step you take. That’s why it’s your path.”

- Joseph Campbell

“Smile”

Oil on Board, 10”x12”

(Available)

Just Keep Smiling

“Put on your missionary smile!” my dad would always say.


As oversees fundamentalist missionaries, my family had to travel back to the US every four years to secure and raise financial support by visiting hundreds of same faith churches all over the country (although most were in the Bible Belt.) I have a lot of memories from these years on the road.


These trips were often very long, crowded, and uncomfortable (when there was no AC.) Many times we were expected to do our schooling in the car and rarely stopped for fun things. While I technically traveled to or through many states, I didn’t experience much. (Or maybe I did in my own way.)


At the end of a long day driving we would arrive at a stranger’s house (where we would stay) or straight into a church service. We could rarely just be ourselves and rest. We had to be “on.” We were expected to pile out of the car, uncrumple our dress clothes and hair, and put on the most pleasant expression we could muster. “Put on your missionary smile!” meant adhering to an unwritten set of rules. The better we behaved, the better chance of money. Be pretty (but not too pretty), be polite, be sweet, always eat what you’re served, and don’t talk negatively about your family’s experiences. Sometimes we would sing on stage because that would score more points. (This would make me absolutely sick with nervousness.) There would usually be a greeting line formed at the end of the service when everyone would come and shake hands with us, the foreign missionaries, and ask us bizarre questions. I truly felt like a freak. A successful trip would score us a “love offering” at the end in which people were prompted to raise money for us poor missionaries on the spot.


I didn’t really grasp back then that this was a great deal of pressure to put on a kid. Our parents income was often directly related to our performance. I was an incredibly socially anxious child and would spend almost every Sunday morning sobbing, begging my parents not to make me go to yet another new Sunday School class. Being the “new kid” almost weekly was too much for me. My other siblings were all close in age and could go to new classes or youth groups together, but I was often left on my own. I don’t remember them complaining about any of this during or after our childhood which made me feel more alone.


While I have long since left that life and ideology behind, I still see how prevalent it is in those circles and the performance of it all makes me sad. I am pretty skeptical of that specific brand of “joy” and feel I know what’s behind those empty smiles.


When I was painting “Smile,” I was not even thinking of this specific personal experience, but today I was wide awake at 5 am remembering my dad always saying this to us, so I decided to come downstairs and write about it.


Dad died this Summer. We were estranged, and I was not informed by family of his passing or invited to the funeral. (I chose the estrangement so I do not hold this against the family.) I found out accidentally by receiving surprise condolences from an old acquaintance, and googled it only to learn I had missed it all. It felt really surreal and terribly sad, and in my own way I’m still processing all of that. I think about him a lot. I don’t owe anyone forgiveness, but I think I do understand the impossible weight he carried, and I forgive the choices he thought he had to make.


I smile a lot, Dad, truly I do. :)


Inside the Studio

Feeling Fallish

Ghostly Silkmoth (sold) and Jack-o-lantern Mushrooms (available)

It’s been fun to revisit acrylic painting lately. Last week I decided to whip up a few little originals for the market and I wondered how it would feel going back to acrylic after working with oils so much. Honestly, I think I miss the glowy, blendy, oily goodness, but it’s also refreshing to just be able to paint something quick and pretty and not worry about stickiness and drying time. Sure, I’ve painted dozens of moons, moths, and mushrooms, and sure, I’ll paint more! Does all art need to be deep and difficult? Nah. I think pretty things are pretty good.

UPCOMING EVENTS!


Creepin’ It Real

This annual spooktacular group show hosted by Fredericksburg Tattoo Works is always a good time. I’ve entered my “Smile” piece and even my awesome model will be in attendance. I’m planning to be there from 7-9, and would love to see some friendly spirits.


Thursday, October 10, 5-9

Sunken Well Tavern

720 Littlepage St., Fredericksburg 22401


Halloween Market

Similar to Art in the Park, just on a different weekend. I’ll bring all my new spooky prints/cards, old favorites, and some new handpainted items I plan to create in the next few weeks. There will be lots of other lovely things to see and do so stop by if you’re feeling festive. Look for the witch in the green tent!


Saturday, October 26, 9-1

Hurkamp Park

Prince Edward St., Fredericksburg 22401


Outside the Studio

The Art of Progression

This past weekend I did Art in the Park again. I skipped out on markets this Summer, so it was nice to get back out there, particularly after two weeks of rain.

How it started / How it’s going

Here is a pic from one of the first art markets I ever did next to last week’s pic. I came across this photo a few weeks ago and didn’t want to share it because while my wee tots were the absolute cutest, my old art and setup makes me cringe. I feel bad that anyone loved me or my work at that stage, which is REALLY messed up because any support I received back then was so needed, much appreciated, and necessary to propel me forward.


I’ve realized that I am really good at loving and saving my child self, and I’m fairly good at embracing and accepting my current self, but I really struggle to love the Dolly that existed all those years in between. I look back at old choices, old photos, old work and I can’t seem to grant that person much compassion or grace, but I’m workin on it. That Dolly was just doing her very best, and this Dolly is just doing her very best. I hope I can look back on this current version of myself with more kindness.

Current Amusements


Reading


The Mother Artist, Catherine Ricketts

(Portraits of Ambition, Limitation, and Creativity)


I don’t entirely know how to fully express how I feel about this meaningful book, except to say that it’s the love letter I needed right now. Part memoir, part art history, and part inquiry, Catherine explores motherhood and artmaking at play and at odds with one another, addresses the unique challenges of choosing both, and honors some incredible women who balance both roles simultaneously.



Never Whistle at Night, Edited by Shane Hawk and Theodore C. Van Ast Jr.

(An Indigenous Dark Fiction Anthology)


I purchased this book months ago but am just now revisiting it. I’ve really enjoyed some of these short stories and think it’s a nice little collection to enjoy during October. I must confess, I bought it for the fabulous cover design. Judging books by their covers usually works out just fine for me.


Watching


Will & Harper, Netflix


This was a really sweet documentary. Will Ferrell takes a road trip with his friend of over 20 years who has recently transitioned. Together they explore old favorites across the country and examine whether old places Harper once loved so well will be able to love her back. I found their vunerable and open conversations really endearing, and I hope this story opens a few closed minds and softens a few hard hearts. There is still so much fear surrounding the trans community, and I believe that fear is based in both insecurity and misinformation.

People always ask me, “Dolly, what is your absolute favorite tombstone name of all time?” and I always know the answer.

I’d love to hear from you. If you enjoyed this email, please reach out or share it with a friend. Happy Fall, ya’ll!


Work in progress, always,

dolly


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November 2024

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